With the help of producer Simone Felice (The Felice Brothers, The Avett Brothers), The Lumineers ensconced themselves in Clubhouse, a recording studio high atop a hill in rural Rhinebeck, NY, not far from Woodstock. The Lumineers then set about trying to make musical sense of their three-year-plus rollercoaster ride. Their skill at setting a visual story to music comes through amidst the delicate, deceptively simple acoustic soundscapes. “We took the same approach this time as we did with the first album, recording demos in a small house we rented in the original Denver neighbourhood where we first moved,” explains Wesley, contributing the lyrical ideas while collaborating on the music with Jer, who tackled a variety of instruments, including guitar, the very prominent piano and trademark tribal drums. There is something timeless about this band that links their songs to 18th century pastorals, 19th century work songs, 20th century folk narratives and 21st century post-modern cinematic soundscapes. Success hasn’t spoiled The Lumineers; rather, it’s inspired them to follow their muses even further.